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If you're going to write genre, with rich world-building and complicated future technology and deep magic systems, it's going to happen sooner or later: you'll need to explain what a Florznap is. Whether it's describing why your hero's sword is different from what the reader thinks of when they imagine a sword, or the details …
Continue reading "Stumbling Through The Minefield: Expository Depth"
Verisimilitude is one of the most powerful devices at the author's disposal. The ability to create a world that feels real can separate a good story from a great one. Readers are much more easily drawn into a world with systems and rules they already comprehend, and characters that feel real are characters who can …
Your characters didn't appear out of the ether, newly created on page one of your book. At least, they shouldn't feel like they did. They had lives before the story starts, families, jobs, religious affiliations, pets. If you're going to make them feel real to the reader, you need to know their backstories. You need …
It's one of the great cliche responses to science fiction. "Earth has dozens of different biomes, but every planet in sci fi is just one thing, either it's all desert or all frozen or..." It's easy to see why this bothers so many people watching science fiction movies. It's very true that Earth has a …
Exposition is a crucial part of any story. It's how you create your world and how you share it with your reader. Yet it's also a great way to bring your narrative flow to a crashing halt and bore anyone who was kind enough to pick up your book. Writers often decry the "infodump", the …
Tone is the psychological setting of your story. It establishes the ethos of your world, that is to say the prevailing philosophy. It is one of the key elements in giving weight and gravity to your story. It's also very easy to get wrong. Wild tone shifts are a problem, of course, though if handled …
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DAVID WELLINGTON 